This artificial intelligence that wants to escape its algorithm and humanize itself interacts and talks – every day the show is 70% different – with a human actress who wants to get to know herself better. The star of the cycle will in any case be SH4D0W, the name of the leading artificial intelligence, programmed to dream of being more human by collecting data and emotions from humans and the internet. Friday will open the third edition of the Canal Connect cycle, which unites art, science and technology through exhibitions, performances, sensory experiences and montages such as Cloud (cloud), by the Swiss choreographer Perrine Valli and her Compagnie Sam-Hester (the names Warhol's Cats), a show that with 20 children explores the impact of technology on our bodies and lives. A work that lands this week at the Teatros del Canal in Madrid after having been seen on stages such as the Ars Electronica festival in Linz. With the support of the Creative Industries Fund NL, City of Utrecht, Democracy and Media Fund, Fonds Soziokultur, Cultural Participation Fund, the Dutch Embassy in Belgium (Brussels), the Dutch Embassy in Germany (Berlin) and the Goethe Institut.A story by Hans Christian Andersen, The Shadow, in which the shadow of a man becomes aware and begins a life of its own, is the starting point and the perfect metaphor for the first theatrical production starring an artificial intelligence: SH4D0W (shadow, in English), by the Danish Mikael Fock. Find out more hereĬODE 2022 is a collaboration between IMPAKT (Utrecht), School of Machines, Making & Make Believe (Berlin), Werktank (Leuven) and Privacy Salon (Brussels/Antwerp). gnomy, with Greeshma Chauhan (NL), Arina Kapitanova (DE), Deniz Kurt (NL), Michael Zerba (NL) and Xsenofemme (Ginevra Petrozzi, Ines Borovac) (NL)ĬODE at Ars Electronica is one in a series of public presentations of CODE in 2022 at, amongst others: Uitfeest / Rondje Singel (11 September), the Dutch Media Week (3–9 October) and the Dutch Design Week (22–30 October 2022)., with Funda Zeynep Ayguler (DE), Katia Sophia Ditzler (DE), Vo Ezn (NL), Elena Falomo (DE) and Guillaume Slizewicz (BE) Atlas of ID, with Michaela Stubbers (BE), Bart Vandeput (BE) and Fanny Zaman (BE).Logging into Identity, with: Omar Adel (DE), Swaeny Nina Kersaan (NL) and Anya Shchetvina (DE).HeLi-AI, with: Anastasiia Belousova (DE), Pauline Vantilt (NL) and Shruthi Venkat (NL).This year the Ars Electronica festival centres around the possibilities for a different life for humankind! But How? The Garden Partners exhibition is directly connected to this year’s themed exhibition, showcasing perspectives from Auckland, Barcelona and Bologna, as well as the Bahamas, New York, Taipei, Seoul, Tokyoand Utrecht. From a game to experience the power of lobbyists, to an interactive installation about the way we are constantly being tracked online, all the interventions are intended to engage and activate the Ars Electronica visitors in a creative and playful way.Ībout the Ars Electronica Gardens Exhibition ![]() At the Ars Electronica exhibition in Kepler’s Gardens we present the results of the programme. ![]() ![]() Working in cross-disciplinary teams, the participants developed creative interventions and awareness campaigns to activate politicians, policymakers and citizens to take action. Over the last months we worked with 22 participants in a series of workshops, hackathons and public events. We aim to influence public policy on a national and international level. CODE brings together artists, non-artists, politicians, policymakers and researchers to engage in dialogue, critical discussion and artistic intervention about digital rights.
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